No Taste For Carrot Juice: Why The BBC Programmed Whovians To Hate The Sixth Doctor

 by Shannon Lush

The 'Doctor Who' actor whose television tenure was, to use his own words, 'thwarted in it's progression', has in recent years been given renewed life and a character re-appraisal with Big Finish Audio...but why do so many Whovians continue to disdain this incarnation? Let's explore the possibilities...

Big Finish Strikes Back: The 'Doctor Who' Audio Trilogy Inspired By Star Wars

by Shannon Lush

Big Finish Productions, the audio play specialists who create dazzling new adventures for classic Doctors, have for many years now squeezed every last penny out of their licensing agreement with BBC, cranking out excellent stories that rival, and in many ways surpass, the current television series. Taking full advantage of the 'Doctor Who' actors under contract to them, they have produced so many stories for the Eighth Doctor that it makes a mockery of the fact that incarnation has only appeared on screen twice in almost twenty years. The much-maligned Sixth Doctor has, under Big Finish's careful guidance and with the benefit of simply superior scripting, become a jewel in their audio range crown. Fans who have worn out their copies of multi-Doctor team-up stories have been given the gift of stories featuring several Doctors together, and in the case of the recent release of 'The Light At The End', all classic Doctors together. Simply put, Big Finish produces material that demonstrates what love and passion for 'Doctor Who' can, when focused and determined, accomplish.

Time lords And Time for the Lord: Religion In Doctor Who

By Shannon Lush

The relationship between religion and science fiction has always been one of mutual exclusivity. The very nature of popular science fiction, with its usual reliance on scientific technology and principals, seems to preclude the presence of real-world religious belief. Certainly, the three most popular science fiction television and film franchises, namely 'Doctor Who', 'Star Wars', and 'Star Trek' ,have all seemed to decide that, in their fictional universes, religious belief, specifically the Judeo-Christian concept of God, is simply not a concept worth exploring in great detail, if at all. Each franchise was created from the ground up by hundreds, if not thousands, of contributors from all walks of life. It is safe to assume that, somewhere along the way, by intentional design on the part of the initial creators of each franchise, an unwritten rule was put in place to avoid the topic of real-world religion altogether where and when possible.

The Anniversary Of Destiny: 11 Doctors, 11 audio stories!

By Shannon Lush

Big Finish Productions, keepers of the flame of the original series, have consistently produced unique audio play content that expands and builds upon the Whoniverse as originally presented in the classic TV series. From ‘what if’ speculative adventures in their ‘Doctor Who Unbound’ range to seasons of adventures featuring Romana II on Gallifrey, Big Finish have produced material that cannot fail to delight and entertain dedicated Whovians. Breathing new life into old characters and providing adventures for classic Doctors undreamed of in their televised tenure has become a company hallmark.

The single limitation, if one could call it that, of Big Finish has been, until recently, their license to produce ‘Doctor Who’ content only as it pertained to the classic series. Due to the nature of television licensing, content featuring the New Series could not be produced…until now. Partnering with fellow audio licensee Audio Go, Big Finish have, in addition to their excellent multi-Doctor story ‘The Light At The End’, produced an eleven-part series of stories entitled ‘Destiny Of The Doctor’, to celebrate the 50th Anniversary.

Diamonds Are Forever: Review Of Big Finish Audio Episode ‘Grand Theft Cosmos’

By Shannon Lush

Doctor: Eighth (Paul McGann)

Companion(s): Lucie Miller (Sheridan Smith)

Writer (s):  Eddie Robson

Director: Barnaby Edwards

Producer: Nicholas Briggs

Duration: 1 episode, 60 minutes.

Following on from the problematic ‘Skull Of Sobek’ which I reviewed in the previous entry, the next release in production order, ‘Grand Theft Cosmos’, is, quite simply, refreshing.  The story is simple;  in 19^th  century Sweden, The Doctor and Lucie are traveling on a miracle of the ages, an electric train. While Lucie grumbles over being forbidden to bring her iPod for fear of cultural contamination, The Doctor engages in conversation with an expert in the works of the artist Claudio Tardelli. Turns out Tardelli is more than he seems;  he’s an alien and his work contains dangerous by-products that can and do harm the  fabric of the universe. The Doctor has been attempting to suppress the man’s work across time and space, going so far as to ensure that is continually discredited. But now his work is being snapped up by the King of Sweden. The expert, Simonsson, has been charged by His Majesty to hunt for Tardelli’s little-known and rare work. The Doctor realizes that he is responsible for creating a collector’s market for Tardelli’s work, given the man disappeared in the 17^th century.

Canon And Crocodiles: Review of Big Finish Audio ‘The Skull Of Sobek’

Doctor: Eighth (Paul McGann)
Companion(s): Lucie Miller (Sheridan Smith)
Writer(s): Marc Platt
Director: Barnaby Edwards
Producer: Nicholas Briggs
Duration:  1 episode,  60 minutes.

Paul McGann was the first ‘new’ Doctor of my early Whovian days. In 1994, having completely caught up to the past 31 years of televised adventures (with the assistance of the telesnap archives printed in ‘Doctor Who Magazine’ to fill in the missing stories, and a full devotion to the Target novelizations to fill in the rest), I eagerly followed along with each item of news regarding what would eventually become the FOX Television Movie. Many Whovians malign that movie; they appeared to have missed the entire point of its existence as a ‘backdoor pilot’ in hopes of launching a new series. I didn't mind the oh-so-shocking kiss between The Doctor and his companion Grace;  it was a wonderful, innocent moment of two people expressing joy. I didn't mind the reference to the chameleon circuit as a ‘cloaking device’, to liberally borrow a term from ‘Star Trek’. After all, the Borg certainly had much in common with the Cybermen, so turnabout is fair play. In fact, both myself and Steve Lake, the other host of ‘The Whostorian’ podcast, will point to this single movie as the best place for people not familiar in the least with ‘Doctor Who’ to obtain a crash course. Call it selfish on my part, but one of the reasons I do so is the hope that the old adage of ‘you always remember your first Doctor’ for Whovians will ring true, and we can mint new fans of Paul McGann’s wonderful Eighth Doctor close to twenty years after the character’s first appearance.

'Titanic' Connections in 'Doctor Who' Fact And Fiction

by Shannon Lush

Throughout its 50 years, 'Doctor Who' has mined hundreds, perhaps thousands, of pre-existing songs, films, books, oral and written traditions, and established world history for source material. From the 'historical', stories of the First Doctor's era that would see the TARDIS crew encounter well-known figures from history such as Emperor Nero and King Richard the Lionheart, to the Jason and the Argonauts-parallels to the Fourth Doctor story 'Underworld', the adventures of The Doctor have in some way or other been inspired by outside elements.